The book and type designer Frederic Warde is remembered today chiefly for his collaboration with Stanley Morison that produced the singular typeface Arrighi, and for being, briefly, the husband of Beatrice, Monotype s charismatic publicity manager. His life was short (dying in 1939, at the age of only 45) but in the previous two decades he had pursued a peripatetic, rollercoaster career that saw him come into contact with most of the leading players in his field, in England, Europe, and America: Bruce Rogers, Mardersteig, Updike, Ruzicka, George Macy, William Kittredge and, of course, Morison, are just some of a stellar cast of characters whose lives intersected with his orbit.
Until now scantily documented, Warde is the missing piece in the story of design, type and printing in the interwar years, and this book will make essential reading for anyone interested in that critical period, one that saw the final era of hot-metal composition and printing combined with the emergence of graphic design as a distinct profession. Warde laid many false trails about his personal history, but the author has drawn upon a surprisingly large body of surviving.
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